Project Basho has just announced a Fall workshop I’ll be teaching, Fine Inkjet Printing. This intermediate/advanced workshop examines a high quality printing workflow. We look at some of the top third party paper options, explore softproofing techniques and delve into the practical applications of color management. If you’re in or around Philadelphia this workshop is [...]
Posted tagged ‘black and white’
Philly Printing Workshop
August 3, 2009QuadTone RIP Workflow
July 21, 2009Roy Harrington’s QuadTone RIP (QTR) software is a remarkable collection of tools that allows for some of the highest quality black and white output available on Epson inkjet printers. If you’ve only used the Epson ABW driver, you owe it to yourself to try QTR. QTR is capable of both very simple operation, for those [...]
Epson 3800 grayscale ICC profiles
March 9, 2009My biggest beef (among many) with Epson’s Advanced BW driver (ABW) is that it is decidedly NOT part of a color-managed workflow, at least not out of the box. If you own a spectrophotometer like the popular i1, you can use Roy Harrington’s QuadTone RIP (QTR) to create your own profiles specifically for ABW output. [...]
ICP Weekend Workshop
February 13, 2009Thanks to all of you who have registered for this weekend’s workshop at ICP. In Black and White With Your DSLR, we’ll explore a b/w capture to print workflow using Adobe’s Lightroom 2. On Saturday we will meet in Digital Lab A. After a welcome session, course overview and some Lightroom setup, we’ll be heading outside [...]
ICP Course: Black and White with Your DSLR
February 4, 2009From Feb 14-15 I’m teaching a weekend workshop at ICP. Titled, Black and White With Your DSLR, this course lets you explore first-hand a b/w capture to print workflow using Adobe’s Lightroom 2. We start the day with an actual shooting assignment in midtown Manhattan. Back in the classroom we import, sort, edit, and finally [...]
Digital Black and White
January 28, 2009If you’ve left the darkroom, but not your love of black and white photography, the good news is that tools and techniques to produce prints that rival the traditional analog processes are plentiful. The bad news is that relevant information for black and white photographers is usually scattered in bits and pieces, both in print and [...]
